|
|
|
|
|
The Flood Gate at Optevoz
Painting ID:: 697
|
Charles Francois Daubigny
The Flood Gate at Optevoz
1859
|
| |
|
|
|
|
|
|
|
|
|
The Lock at Optevoz (nn03)
Painting ID:: 23281
|
Charles Francois Daubigny
The Lock at Optevoz (nn03)
1855
Oil on canvas 92 x 162 cm
36 1/4 x 63 3/4 in Musee des Beaux-Arts Rouen
|
| |
|
|
|
|
|
|
|
|
|
Spring
Painting ID:: 30703
|
Charles Francois Daubigny
Spring
mk68
Oil on canvas
Paris,Louvre
1857
France
|
| |
|
|
|
|
|
|
|
|
|
Spring
Painting ID:: 30936
|
Charles Francois Daubigny
Spring
mk68
1857
|
| |
|
|
|
|
|
|
|
|
|
Landscape at Gylieu
Painting ID:: 33879
|
Charles Francois Daubigny
Landscape at Gylieu
mk87
1853
Oil on canvas
62.2x99.7cm
Cincinnati,Cincinnati Art
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Charles Francois Daubigny
|
|
b Feb. 15, 1817, Paris, France
d.Feb. 19, 1878, Paris French
78, French landscape painter. He went to Italy early in life and later studied in Paris with Paul Delaroche. Although usually classed with the Barbizon school, he never lived in Barbizon. His last 30 years were spent largely in his houseboat on the Seine and the Oise, and he is best known for his pictures of the banks of those rivers. He was particularly successful in his atmospheric depiction of dawn, twilight, and moonlight. His later pictures are handled with great breadth. Monet and Boudin were especially attentive to his work. Daubigny is well represented in the Louvre, the Mesdag Museum (The Hague), the National Gallery (London), and the Metropolitan Museum. Characteristic are his Return of the Flock??Moonlight, Banks of the Oise, and Moonlight. His son Karl Pierre Daubigny, 1846?C86, painted in his father manner. |
|
Related Artists::.
| Lebasque, Henri | Cornelis de Wael | Carlo Dolci | |
|
